Topiikka-kirja

MIRKA, D., ED.: THE OXFORD HANDBOOK OF TOPIC THEORY Introduction: Danuta Mirka

Section I. Origins and Distinctions
Topics and Opera Buffa: Mary Hunter
Symphonies and the Public Display of Topics: Elaine Sisman
Topics in Chamber Music: Dean Sutcliffe

Section II. Contexts, Histories, Sources
Music and Dance in the Ancien Régime: Lawrence Zbikowski
Ballroom Dances of the Late Eighteenth Century: Eric McKee
Hunt, Military, and Pastoral Topics: Andrew Haringer
Turkish and Hungarian-Gypsy Styles: Catherine Mayes
The Singing Style: Sarah Day-O’Connell
Fantasia and Sensibility: Matthew Head
Ombra and Tempesta: Clive McClelland
Learned Style and Learned Styles: Keith Chapin
The Brilliant Style: Roman Ivanovitch

Section III. Analysing Topics
Topics and Meter: Danuta Mirka
Topics and Harmonic Schemata: A Case from Beethoven: Vasili Byros
Topics and Formal Functions: The Case of the Lament: William Caplin
Topics and Tonal Processes: Joel Galand
Topics and Form in Mozart’s String Quintet in E flat major, K. 614/i: Kofi Agawu
Topical Figurae: The Double Articulation of Topics: Stephen Rumph
The Troping of Topics in Mozart’s Instrumental Works: Robert Hatten

Section IV. Performing Topics
Performing Topics in Mozart’s Chamber Music with Piano: John Irving
Recognizing Musical Topics vs. Executing Rhetorical Figures: Tom Beghin
Eloquent Performance: The Pronuntiatio of Topics: Sheila Guymer

Section V. Listening to Topics
Amateur Topical Competencies: Melanie Lowe
Expectation, Musical Topics, and the Problem of Affective Differentiation: Elizabeth Hellmuth Margulis Listening to Topics in the Nineteenth Century: Julian Horton